This week on Sonic Landscapes we explore selections from the catalogue of the man in the beret and sunglasses–Thelonious Monk–one of jazz’s most intriguing personalities. Monk is one of the most recorded jazz composers of all time, second only to the great Duke Ellington–a remarkable fact considering that Ellington composed more than one thousand songs, and Monk only around 70. His singular style swaggers a thin line between the revolutionary flamboyance of free jazz [see Cecil Taylor] and the more funky exuberance of hard bop [see Cannonball Adderley]. Monk also explored negative space with a curiosity unheard in more orthodox jazz composition, punctuating his expressive improvisations and songs with sometimes jarring hesitations, silences, and syncopation. Monk’s percussive and unconventional style was not embraced by all–poet and jazz critic Philip Larkin once called Monk “the elephant on the keyboard.”
Monk was born in Rocky Mount, North Carolina in 1917, but soon moved to Manhattan, where the primordial elements of jazz music–ragtime, blues, swing–were simmering. In the 1920’s, the rebellious and sensual nature of Jazz music was perfectly suited as a soundtrack for the illicit nightscape of Prohibition era America, offering a release from the tempered conservatism prevailing in law and social convention.
As the house pianist at Minton’s Playhouse in the early 1940’s, Thelonious Monk conceived the foundation of his style with the inspiration of some of his fellow musicians, a group which included Dizzy Gillespie, Charlie Parker, and later, Miles Davis. At a time when musicians practiced active creative thievery–the incorporation of heard sounds into their own compositions–these artists sought a style which was impossible to recreate or mimic. And so bebop was born from necessity, spontaneity, and zeal.
Monk went on to record with many of the great jazz musicians of history–Coleman Hawkins, Sonny Rollins, Art Blakey, John Coltrane, and so forth. His discography also attests to his perpetual globetrotting with releases such as Monk in France, Thelonious Monk in Italy, and Monk in Tokyo.
By the mid-1970’s, however, Monk had disappeared from the scene. Some attribute his decline into creative dormancy to mental illness, perhaps caused by schizophrenia or even a misdiagnosis and incorrect prescription, which some believe might have caused permanent and severe brain damage.
In this episode of Sonic Landscapes we explore this incredible artist chronologically, from his early recordings on Blue Note Records to his later works on Columbia. The episode ends with a tribute to Monk by legendary hip hop producer J Dilla on Common’s album Like Water For Chocolate, a testament to Monk’s enduring influence beyond the realm of the genre that he helped craft.
To listen to this episode, simply right click on the link below to download onto your computer or click to listen streaming:
1. Ruby My Dear, from Genius of Modern Music Volume 1 
2. Skippy from, from Genius of Modern Music Volume 2 
3. (I Don’t Stand) A Ghost of a Chance With You, from Thelonious Himself 
4. Nutty [with John Coltrane], from Thelonious Monk With John Coltrane 
5. I Mean You [with Art Blakey’s Jazz Messengers], from Art Blakey’s Jazz Messengers With Thelonious Monk 
6. Round Lights, from Thelonious Alone in San Francisco 
7. Jackie-Ing [with Charlie Rouse, Sam Jones, Thad Jones & Thelonious Monk], from 5 By Monk By 5 
8. Teo, from Monk. 
9. Ask Me Now, from Solo Monk 
10. Pannonica (Live), from Straight No Chaser 
11. Thelonious, from Underground 
12. Thelonious ft. Slum Village – Common, from Like Water for Chocolate